本片是费拉里对现代社会文明和小家庭中男子的作用的最新探讨的成果。工程师热拉尔德被妻子抛弃了，并把小儿子皮耶罗特留给了他。当工厂宣布休假时，他把保姆当作情人；在短短的时间内，他重新经受了令人伤脑筋的以两
...展开性斗争为特点的两人关系发展的全过程。热拉尔德完全被以性交为表现的男性意识所支配。当他同情人的关系发生危机时，他的情人却和他的前妻成了好朋友。他出于抗议和绝望用一把厨房用的电锯把自己的生殖器割掉了。这个可以作为模式的事件的大部分 (就象在戏剧舞台上一样)发生在一套高层小公寓里。费拉里批判了他的主人公的大男子主义，同时也表现了由于生活(工作，住宅，千篇一律的生活秩序，孤独寂寞)造成的绝望和灰心丧气。如果说影片留下了一种相互矛盾的印象，那是由于影片以独特的方式提出了问题：这个男人是他的行为的牺牲品，也是妇女全面反抗的牺牲品；费拉里在这部影片中同样使用了多种手法，而且通过一些“煽动性"的细节和效果来吸引更多的观众。收起
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此片为《信使》(The Message)的阿拉伯版。麦加，七世纪，穆罕默德与城市的强权者们斗争着，他揭露他们的专横，以及它造成的疾病－奴隶制，暴力，酗酒，特别是，穆罕默德和穆斯林们鼓励人们忘却旧偶像，
信使1976
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HD中字
此片为《信使》(The Message)的阿拉伯版。麦加，七世纪，穆罕默德与城市的强权者们斗争着，他揭露他们的专横，以及它造成的疾病－奴隶制，暴力，酗酒，特别是，穆罕默德和穆斯林们鼓励人们忘却旧偶像，